4 Things That Set My Brain On Fire, August

Sometimes my brain needs a jump-start. Here are a few things I checked out this week, to fan the flames of my imagination.

1. Made In LA at The Hammer Museum

Meg Cranston’s California (2006), photo by Jeff Sturges

This was pretty great. Made In LA is what it sounds like: a show of artists living in Los Angeles. There was some cool stuff, including Liz Glynn’s Anonymous Needs and Desires, an installation of a huge cabinet of brightly colored drawers, with cast-lead everyday objects that patrons could place in, take out, and manipulate however you want. Another highlight was the app for the show, the Soundmap. You turn it on your phone, drive around, and it plays music curated by local collective DUBLAB. But then you hit a “hotspot”, and an artist briefly interrupts to tell you something specific to that area of town that inspired them, or just a random observation. So cool!

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Ghosts Over My Shoulder

 

photo by Shaela Cook

It was never a part of my plan, never something that even factored into my life-changing decision to “pursue my bliss”, to consider what people would think about the inherent uncertainty of the act. It never occurred to me to wonder if people would scoff, or mutter about the rashness of the decision…and I was startled when I, a person known for putting everything I do through the filter of “But what will other people think?“, realized I didn’t care about that. But it surprised me even more when I started wondering what, if anything, the people in my life who have passed would think of my decision, and of my art. What would my brother John, who passed away 20 years ago, think of all this? Continue reading

The Story of The Blacksmith and The Impossum

As told in outline form, huge hat-tip to Dave Eggers

Written by Michael James Schneider

 

The Blacksmith, a blacksmith, lives in time unknown, odd combination of anachronism and technology so advanced it seems archaic. Steampunk? No, probably not.

Handsome (of course), rugged, eyes green but seem startlingly brighter because his face is always covered in soot. Salt and pepper. Something in there about how he will sometimes draw his forearm across his face to wipe away the grime, and gets even dirtier. (Don’t hammer this one too deep, though, people will get it..haha get it? hammer). He is a blacksmith because his father was also a ferrier. No, maybe his father was a sword maker, and Gray (the blacksmith’s name, but everyone calls him Plover) chose early on to be a simple smithy. Is this a cause of a rift? Maybe. Continue reading