It’s finally here! Here’s episode three of my puppet webseries This Ends Badly.
The production values keep improving, and we keep learning a lot. One big takeaway recently was how to streamline scheduling so that we can produce quality episodes faster. So stay tuned for more This Ends Badly sooner than you think! Thanks for watching.
At long last, we’re all very pleased to present the second episode of my single gay puppet dating webseries (I never said I wasn’t “niche”). Fun fact: this episode combines footage taken over almost three years!
In this episode, Mike loses a bet and has to delete his dating apps. But is the real problem the apps…or is it Mike?
Thanks for watching! If you haven’t seen the weirdly-quiet episode1 yet, check it out here.
I’m happy and grateful to present Episode 1 of my webseries, This Ends Badly! It’s the result of a large group effort, and we all learned a *lot*. For example, I learned that sound is somewhat important. Who knew? (Everyone did, Mike. Literally everyone.)
“What? Another webseries announcement?” A few years ago I came up with the idea of pulling some of the dating horror stories from the blog and making them into an original series. It would take place in three cities! It would involve a cast of thousands! Well, then reality hit as I did the math and realized that this was a really ambitious project for my first time out of the gate. I’m still in love with the idea of How To Save Your Own Life, and it’ll always be percolating in the back of my mind until I have the resources to execute it properly.
In the meantime, I’m thrilled to present “This Ends Badly”! Continue reading →
I was happy to direct this 4-minute short for the Shorty Shorts Film Festival in Portland, but I was even more thrilled to work with this talented, generous cast (credited at the end of the short). Thanks much to Gula Delgatto for including my short, and Donovan Edwards, Ace Hotel Portland, and Pepe Le Moko for donating their resources and locations. Hope you like it!
Walking down Broadway, I shuffled along, staring at the sidewalk and musing on the possible titles of my inevitable, boring memoir: “My Cat Is The Handsomest: Thoughts On Dying Alone By Michael James Schneider.” “Sir, You Can’t Take A Bottle Of Lube That Large On An Airplane, A Long-Distance Love Story By Michael James Schneider”. “What It Looks Like When The Universe Poops On Your Life: How To Get It All Wrong, by Michael James Schneider”. I looked up just in time to realize that A) I was at a bottleneck in the sidewalk, between a cafe table and a tree, and B) a guy who was Dreamy As Fuck was also trying to get through the narrow path from the other side.
I stopped, made an embarrassed gesture to let him through. He, however, did the same. No, no, my next gesture said, my hand sweeping magnanimously, Please, after you, I insist. And there we stood for a good 20 minutes, each trying to be the Beta dog in this classic West Coast Standoff of politeness, each trying not to bare our teeth or make eye contact lest the other one attack.
On the surface, the PNW is a friendly, polite place to live. What happens when you look under that surface, though? Is politeness a form of dishonesty and artifice, and if so, what does it take to live a transparent life? Continue reading →
Photo by Chase Person (from l to r, Jennie Kay, Michael James Schneider, Nick Mattos, Wayne Bund, Chase Person, Summer Olsson, Logan Lynn)
Two years ago, when I lived in Los Angeles, I left my job to take a year-long “artistic sabbatical”. I felt a creative itch that was brought about by working with my LA family at Sacred Fools Theater Company. A few months into that year, I went through some shit. I came out on the other side more determined than ever to create a life that was artistically fulfilling, and more than anything true and authentic to myself. I visited Portland for the first time in February of 2013, and instantly fell in love with it, thanks to my good friend and tour guide Summer Olsson. And then a funny thing happened: Continue reading →
October was a bit of a roller-coaster for me, but here’s a rousing cheer for November. I went to LA and NYC for a couple weeks, and autumn was in full swing when I came back to Portland! I’m loving my first fall in the PNW: leaves changing color, comfort food (butternut squash anything), and the layering, oh! the layering. Summer Olsson is back, with her usual killer contributions to the soundtrack, and she collaborated on a ridiculous photo essay, too. Click through to see the whole story.
As usual, the titles in red are Spotify links (I’m Michael James Schneider on there, you can find the “BLCKSMTH November” playlist there,too), and enjoy autumn, damnit.
Mike’s pick: MS MR, Hurricane Okay, so you told me that you’re into Lana Del Rey and Lorde, but you haven’t heard of MS MR? Let’s correct that immediately:
“Private Eyes” -photo by Rachel Rosenfeld (from l. to r. Summer Olsson, Michael James Schneider)
This month’s soundtrack is pretty damn great, thanks in no small part to guest music contributor Summer Olsson’s influence. Click any of the song names highlighted in red to listen on Spotify, too!
Summer’s pick: The Boy and Sister Alma- Brightly This Montana duo makes music that sounds simultaneously retro and futuristic. It’s like an 80s movie about the future. It’s dreamy and feels perfect for gliding along the highway, looking out a rainy car window:
Mike’s pick: James Blake- RetrogradeCreepy, soulful, and more than a little “off”. The synth just destroys me, and there isn’t a speaker invented that can reach as loud as I need to listen to this song:
photo by Summer Olsson, digital artistry by Tucker Cullinan
Do what you love. Be brave. Take a chance.
These are all things I’ve talked about often on this blog, since my decision to take an artistic sabbatical and share the journey with others. Recently, I met someone else who took a similar leap: Michelle Lesniak-Franklin, winner of Season 11 of Project Runway (yup, it was her I was writing about at the end of this previous post). You’ll remember her personal style and razor-sharp wit, and probably her obsession with wolves, too.
I met the Portland native at her studio last week to chat, and she was just as funny, tough, and candid as she appeared to be on the show. She was also game for a photo shoot in Portland’s Japanese Gardens, inspired by Hayao Miyazaki’s anime classic, “Princess Mononoke”.
BLCKSMTH: We share an obsession for the periodic table of elements. My personal token of strength is the “Fe” symbol for Iron, and yours seems to be “Au” for Gold. When did the transition happen from the name of the brand “Michelle is well” to “Au”?
Michelle Lesniak-Franklin: I got advice from a friend and investor about the name “Michelle Is Well”, that it sounds like a hospital update. “Oh, we went to the hospital to visit Michelle, how is she?” “She’s doing great, Michelle is…well.” I never loved it either, I thought it sounded really juvenile, but was something that just stuck.
I like to be smart, and articulate, and slightly geeky. And so the periodic table…you know I have a little bit of a science background, it just stuck with me. And I wanted it to be Au, to represent a golden moment, a golden piece of clothing that will stay in your closet until the end of time. You know it’s geek chic, but there’s also something tough and hard about gold. Continue reading →
(l. to r.) Michael James Schneider, Michelle Lesniak Franklin. Photo and mask construction by Summer Olsson, digital artistry by Tucker Cullinan.
Do what you love. Be brave. Take a chance.
These are all things I’ve talked about often on this blog, since my decision to take an artistic sabbatical and share the journey with others. Recently, I met someone else who took a similar leap: Michelle Lesniak-Franklin, winner of Season 11 of Project Runway (yup, it was her I was writing about at the end of this previous post). You’ll remember her personal style and razor-sharp wit, and probably her obsession with wolves, too.
I met the Portland native at her studio this week to chat, and she was just as funny, tough, and candid as she appeared to be on the show. She was also game for a photo shoot in Portland’s Japanese Gardens, inspired by Hayao Miyazaki’s anime classic, “Princess Mononoke”.
BLCKSMTH: You were excited when I brought up the “Princess Mononoke” concept of the photo shoot, are you a fan of Miyazaki?
Michelle Lesniak-Franklin: I am, definitely!
Explain a little bit of the wolf obsession, please.
At the time of being on the show, you’re alone during filming, and you don’t have your friends and family there. You don’t have your support system for weeks and weeks, and you’re cut off from the world. I felt, too, that my garments weren’t being received very well. Not having the fashion background, it started making me think, “Oh, I’m not good at this, no one will like my aesthetic, it’s not supposed to be out there in the world.” It started getting me down, and I felt like “You can’t be in this dark space, think of a power animal, put yourself into an animal that can survive through all odds.” And it was the wolf. And I ended up being pretty dangerous for the other people. Continue reading →
“This Is Why We Can’t Have Nice Things” from l to r: Summer Olsson, Michael James Schneider, Sammi, the extremely patient Clyde Common bartender
“Two roads diverged in a wood”…no, that’s not the quote I’m trying to remember. “Life moves pretty fast; you don’t stop and look around once in awhile you could miss it.” Yup, that’s the one. Thanks Ferris.
I spent the last week exploring Portland, Oregon, for the first time. I fell in love with the city, as I had a suspicion I would. I met a lot of really wonderful people, reconnected with a crap-ton of old friends, conquered formerly-debilitating fears, and almost sliced people’s fingers off when I gave them my business card. The life-changing consequences of all this love are at the end of this post.
1) Summer in Winter! I had a blast creating art with my friend Summer Olsson (Google her)…she’s truly a fun, talented, smart person to create art with! (UPDATE: This was pretty much our soundtrack the entire visit). One brainstorm of ours was to create the characters of Fern and Clyde, two clowns moving to Portland. With the skilled photography of Aaron Warren, we dressed and painted our faces, and created a story in photos and a 6-second Vine clip that tells their story. Follow me on Facebook to get the whole story, released on Wednesdays and Saturdays! Continue reading →